She is one of those rare artists who uses both sides of her brain, and does so with a fabulous flair and spirited style.
Splashing ink into black silhouettes on white clay and later scratching away definitive lines, Bri Hermanson refers to her almost sculptural, scratchboard process as a sort of drawing in reverse.
Hermanson precisely wields the inherent qualities of her media to animate the familiar and illuminate the ephemeral.